PEDRO ALVAREZ:
LANDSCAPE IN THE FIREPLACE
Arizona State University Art Museum
Nelson Fine Arts Center
February 7 through June 19, 2004
image credit: Pedro Alvarez, Andy Jean Michelle, 2003. Oil on canvas. Courtesy of the artist.
OPENING RECEPTION
Saturday, February 7, 2004
Opening receptions that evening for the exhibitions:
Blue Memory: Paintings by Tran Trong Vu
Personal Doping: Video Installations by Agnieszka Kalinowska
LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez
Pedro Alvarez conflates old and new painting styles and ideological positions. He quotes 19th century costumbrista painting by Europeans who came to Cuba and created the vocabulary of Romantic clichés that characterized the island as exotic and sensuous. He overlays these images with American advertising illustration from the mid-50s. His content reflects layering of global influences that converge, underlining the disparities between the source and the recipient of transmitted culture.
Alvarez combines references to Cuban, African and American culture. American monuments and heroes of its Revolution attest to principles of democracy and equality ensconced in the American social contract. Jolting the temporal sense are the famed fotingos, American cars in Cuba at the time of the 1959 Cuban Revolution that have been gradually tropicalized by Cuban invented parts. In the lush Cuban landscape, black slaves gaze on, puzzled by the juxtapositions. Over all is a monochrome green of American money, the currency of exchange on an island that officially despises capitalism.
About the Artist
Pedro Alvarez is of the generation of Cuban artists who emerged in the 1990s who gained international recognition for their fresh approach to art-making in a political context in which free speech was not to be taken for granted. The use of irony and oblique references created the space for expression. Alvarez spends his time between his native Havana and Malaga, Spain. His work has been shown in the Istanbul Biennial, the Havana Bienal, and was featured in the exhibition organized by the ASU Art Museum Contemporary Art from Cuba: Irony and Survival on the Utopian Island which toured nationally.
Exhibition Tour
After the premiere of the exhibition at the ASU Art Museum, this exhibition will be available for touring to other institutions. Please visit the following website for tour information: http://asuartmuseum.asu.edu/alvarez/tour.html
Presentation
Organized by Marilyn Zeitlin, LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez will be installed in the ASU Art Museum's Nelson Fine Arts Center location.
Duration
LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez (February 7 – June 19, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10 a.m. to 9 p.m. and Wednesday through Saturday from 10 a.m. to 5 p.m.
Support
The exhibition and related programs are supported in part by Friends of the ASU Art Museum.
ASU Art Museum Exhibitions
Selected past exhibitions at the ASU Art Museum include:
CUBAN ART FROM THE PERMANENT COLLECTION
Contemporary Art from Cuba: Irony and Survival on the Utopian Island
Spectrum: An Idea of History
Cops and Robbers: Drawings by Lucio Muniain
Andy Warhol and the Pop Aesthetic
Hung Liu: New Paintings
Face Off: Paintings by Michael Ray Charles and Jean-Michel Basquiat
More information contact John Spiak at spiak@asu.edu.
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