Not Quite Myself Today
Video Works by Eight Artists
Arizona State
University Art Museum
at the Nelson Fine Arts Center
December 15, 2001 - March 3, 2002
Kerry Tribe
Double, 2001
Video
00:09:50
Courtesy of the artist, Los Angeles, CA
Kerry Tribe
Lives and works in Los Angeles
Double
Double, a 10:25-minute single channel video work
by Kerry Tribe, addresses an issue with which most human beings have grappled
at some point: how the world perceives and interprets them, their lives and
their work. Placing a call for actresses that fit her own physical description,
Tribe received photographic head shots in the mail with resumes. After scanning
through them, she invited individual actresses for auditions. During the auditions,
Tribe would talk about herself as a video artist and reflect on subjects ranging
from her first impressions of Los Angeles to her background, family, and even
current projects.
After giving each actress a bit of personal history, she would turn the camera on the actress and ask her to assume the identity of Tribe. The actress would then be requested to describe what it was like to be a recently transplanted New York video artist attending graduate school at UCLA and to explain the concepts of Tribe's work, armed with just the brief, unscripted knowledge the actresses were able to glean after their conversation with the artist.
The result is a series of documentary-style monologues giving us raw, sometimes stereotypical, perceptions of being an artist and the insecurities and struggle involved. Though Tribe never appears in the video, the viewer is somehow left with an indelible impression of an actual encounter with the artist.
About the Artist
Kerry Tribe received a BA from Brown University in New York, attended
the Independent Study Program at the Whitney Museum of American Art, and is
expected to receive her MFA from the University of California Los Angeles
in 2002. Her work has been included in the exhibitions: Kerry Tribe,
MWMWM Gallery, New York, NY; Genius Loci, Barnsdall Art Gallery,
Los Angeles, CA; Pusan Biennial, Pusan, Korea; Sitegeist,
Porter Troupe Gallery, San Diego, CA; Fact-FictionOldenburg, Germany;
As I Love You You Become More Pretty, Los Angeles, CA; d>art
00, Sydney Film Festival, Sydney, Australia; VideoGallery International
Festival for Film, Video and New Media Travelling Exhibition; VIPER,
Lucerne, Switzerland; Thaw00: Fifth Annual Festival of Video, Film
and Digital Media, Iowa City, IA; Unpacking, curated by Cletus
Dalglish-Schomer and Christopher Ho, New York, NY; 4eme Manifestation
Internationale Video et Art Electronique, Chamo Libre, Montreal; Impakt
Festival, Utrecht, The Netherlands; Five29Ninety9, organized
by Matthew Buckingham and Kristin Lucas, New York, NY; Scope 3,
Artists Space, New York, NY; Open Studios, Whitney Museum of American
Art Independent Study Program, New York, NY; Local Color, Abrons
Art Center, New York, NY; What's Goin' On, DNA Gallery,
Provincetown, MA; Vision 21, The Tunnel, New York, NY; Annual
Juried Exhibition, David Winton Bell Gallery, Providence, RI; The
Alternative Home, Sarah Doyle Gallery, Providence, RI; and Deception
Room, Boston Center for the Arts, Boston, MA.
John D. Spiak
Curatorial Museum Specialist
Arizona State University Art Museum
For more information contact John Spiak at spiak@asu.edu.
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