BLUE MEMORY
Paintings by Tran Trong Vu
BLUE MEMORY: PAINTINGS BY TRAN TRONG VU Traveling Exhibition / Installation
Arizona State University Art Museum
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Tran Trong Vu. Made in Vietnam, installation at Plum Blossoms Gallery,
New York, 2001.
The Arizona State University Art Museum is traveling an exhibition/installation
of 100 paintings by contemporary Vietnamese artist, Tran Trong
Vu. This exhibition will be Tran’s first in an American museum.
Tran Trong Vu was born in Hanoi in 1964, the youngest son of Tran
Dan, one of the best known dissident writers of the 1950s. Tran graduated
first in his class at the Hanoi School of Fine Arts in 1987 and in
1989 won a scholarship to study painting at the Ecole Nationale des
Beaux-Arts in Paris. Tran now lives and works in Paris.
Tran’s striking paintings of schematic figures on suspended
sheets of plastic explore what it means to be Asian and Vietnamese
within the context of an increasingly westernized global culture.
His paintings are peopled by androgynous Asian figures against a
backdrop of the signs of a modernized Hanoi (like cameras, Western
toilets and street signs). Generic Asian male and female figures
are painted on life-size sheets of plastic; a material found everywhere
in the streets of Hanoi. Suspended from the ceiling, the paintings
fill the space and form a labyrinth through which the viewer must
walk. The figures hold cameras to their faces or are framed by televisions,
products associated with contemporary Asia. Sometimes they are surrounded
by slogans that Tran has drawn from banners in Hanoi or by fragments
of his father’s poetry. Tran’s work explores both the
westernization of Vietnamese daily life and the way Vietnamese culture
is viewed by the West. Tran’s work contrasts markedly with
more sanctioned, romanticized paintings by Vietnamese artists. Available on request is a recent image from the artist’s Paris
studio of three pieces for the exhibition. “Blue” in
the exhibition title refers to the bottom half of all the paintings,
where the figures are dissolving in water; “Memory” refers
to histories that become distorted or transparent or difficult to
remember.
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Exhibition Information
The Blue Memory exhibition includes:
- Approximately 100 paintings on plastic sheets
- 50 color catalogs (40 pages, essay by
Dr. Nora Taylor, 20 color pages)
- text panels, labels (hard copy or disc)
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For more information, or for a more complete packet, contact
Heather Lineberry or Susan Ables, ASU Art Museum, 480.965.2787.
Rental Fee: $3,800 + shipping + artist fee
and travel for installation
Insurance: provided by the venue
Availability: June 2004 – 2006
Security: Moderate
Space Req: Variable, max of 2,500 sq. feet |
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Curators:
Dr. Nora Taylor
Humanities Department Arizona State University
Heather Sealy Lineberry Senior Curator
ASU Art Museum
Tran Trong Vu. I Don't Know Why The Water is So
Blue, 2003. Oil
on canvas, 40 x 47 1/4".
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Download a printable PDF version
For more information contact John Spiak at spiak@asu.edu.
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