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Art and public policy. They might not sound like they go together, but Kade L. Twist is proof to the contrary. The ASU School of Art alumnus works today as both a multidisciplinary artist and a public-affairs consultant, specializing in indigenous issues, and was recently named a United States Artists fellow.
Santa Fe-based artist Courtney M. Leonard grew up in the Shinnecock Nation of Long Island, New York, where culture historically revolved around whaling and water. Leonard’s exhibition “Breach: Log 16,” on view April 16 through Aug. 6 at the ASU Art Museum Ceramics Research Center and Brickyard Gallery, is an exploration of historical ties to water and whale, imposed law and a current relationship of material sustainability.
“Print Wikipedia,” an exhibition of artist Michael Mandiberg’s project, opened at the Denny Gallery in New York City in July 2015 to widespread and international media attention. Now, a selection of “Print Wikipedia” volumes has been acquired for the permanent collection and is being shown at Arizona State University’s Hayden Library. It is the first time they have been displayed outside of an art space setting.
The ASU Art Museum's internship program, now in its 14th year of sponsorship by the Windgate Charitable Foundation, provides rigorous, paid training for ASU students hoping to become curators. Windgate — which has also provided grants for ASU Art Museum artist residencies, ceramics research and wood and fiber craft fellowships — recently increased its support to extend and enhance the university’s curatorial intern experience.
The ASU Art Museum’s Ceramics Research Center is pleased to present the 15th annual Self-Guided Ceramic Studio Tour, held this year from 10 a.m. to 5 p.m. Feb. 20-21. The tour is free and open to the public.
A new ASU Art Museum exhibition called “Superflex: Superfake/The Parley” is centered on the authenticity of a painting and the culture that surrounds it.
Valley children frolic in the snow as ASU hauls in a truckload of shaved ice to create a winter scene — and the opportunity for a snowball fight with Sparky.
This week, three members of an indigenous artist collective called Postcommodity will install the largest-ever bi-national land art piece on the U.S.-Mexico border.
Ehren Tool's handmade ceramic cups emblazoned with images of his experiences at war are a commentary on the effects battle has on people. His work is part of an exhibit at ASU Art Museum's Brickyard.
"Found(ing) Story: The Oliver B. James Collection" goes back in time to tell the story of how the ASU Art Museum was founded 65 years ago.
This summer, ASU Art Museum is presenting a new commissioned work by Mexico City-based artist Yoshua Okón, in an exhibition titled "Oracle." In a recent conversation with Artforum, Okón describes his time in the desert.
Phil Weaver-Stoesz has been spending some of his summer writing about how the audience took over during a production at the ASU Art Museum.
An artist who refused labels, Allen "Big Al" Carter fused styles and invented techniques to share his vision with the world. More than 80 of his powerful paintings, sculptures, drawings and assemblages are on view this summer at the ASU Art Museum.
The ASU Art Museum presents a solo exhibition of the work of artist Richard T. Walker, titled “Richard T. Walker: the predicament of always (as we are),” on view through Jan. 3, 2015.

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