Eduardo Sarabia, who grew up in Los Angeles and presently lives and works in Guadalajara, Mexico, uses his artwork to make reference not just to a physical border, but to a dividing line in the identity of one who feels at once familiar with and distant from his or her cultural heritage.

“MUCK: Accumulations, Accretions and Aggregations,” featuring the art of seven contemporary ceramic sculpture artists, opens at the ASU Art Museum Feb. 15.

NannyVan, which will be with the museum through Feb. 22, is a bright orange, mobile design studio and sound lab that accelerates the movement for domestic worker rights.